The band's official site held a global listening party on August 22, 2011, where they streamed the entire album. Various radio stations throughout the world began playing tracks on the same date leading up to the album's release. The full album was also made available to stream for free on the iTunes Store.
Sports channel, ESPN and many of their programs featured songs from I'm with You during various clips, segments and commercials throughout the months of August and September. The NFL has also used the album's songs during football games mainly prior to commercial breaks or playing throughout the stadium during timeouts. In 2011, the U.S. version of the Simon Cowell reality show, The X Factor used "Look Around" as a theme to their earliest commercials to promote the show. The album's second single, "Monarchy of Roses" was used in a Japanese car commercial for the Nissan Elgrand.
Skyrocketing to #1 worldwide, Red Hot Chili Peppers have delivered the Biggest Rock Album in the World with their twelfth full-length offering, Unlimited Love [Warner Records]. It notably bowed at #1 on the Billboard 200, marking the group's second #1 debut on the chart and first since 2006's classic Stadium Arcadium.This success has translated across the globe as well. It notably arrived at #1 in the UK, Ireland, Australia, France, Germany, New Zealand, Switzerland, Netherlands, Belgium, and beyond. In the UK, it stands out as their fifth career #1 in the country. With 125 million-plus streams, it already emerges as the #1 Rock Album of 2022!The album has incited some of the most enthusiastic applause of the band's storied career thus far. Rolling Stone mused, "More than anything, this record feels like a coming home. There's a certain magic that happens with these four musicians." Variety hailed it for "some of the most memorable melodies of its long career." NME raved, "Reunited with guitar wizard John Frusciante, the band channel the best moments from their heyday to prove there's plenty more gas in the tank."
Indulgence has long been a way of life for the Red Hot Chili Peppers, yet they resisted the siren's call of the double album until 2006's Stadium Arcadium. Sure, 1991's breakthrough Blood Sugar Sex Magik was as long as a classic double LP, but such distinctions mattered little in the era when vinyl gave way to CD, and they matter less now, as the CD gradually gives way to digital-only releases. In fact, like how Blood Sugar was the tipping point when the LPs ceded ground to CDs, Stadium Arcadium could be seen as the point when albums were seen as a collection of digital playlists. Yes, it's pressed up as a two-disc set -- including an extravagant but pointless special edition housed in a clunky box that includes a make-yer-own-spinning-top -- but this is an album that's designed for you to mix and match, create your own playlist, rip and burn on your own. It's designed for you to sequence its 28 songs in some kind of cohesive manner, since the band sure didn't take the time to do that here; it's the first major album by a major band that makes as much sense on random as it does in its proper sequencing. Well, that's not entirely true: the official 28-song album does begin with "Dani California," the clearest single here, the one thing that truly grabs attention upon first listen and worms its way into your subconscious, where it just won't let go, as so much of Anthony Kiedis' catchiest melodies do. After that, it's a long, winding path of alternately spacey and sunny pop, ballads, and the occasional funk workout that used to be the Chili Peppers' signature but now functions as a way to break up the monotony. And there needs to be something to break up the monotony, not because the music is bad but because it all exists at the same level and is given a flat, colorless production that has become the signature of Rick Rubin as of late.Rubin may be able to create the right atmosphere for Flea and John Frusciante to run wild creatively -- an opportunity that they seize here, which is indeed a pleasure to hear -- but he does nothing to encourage them to brighten the finished recording up with some different textures, or even a greater variety of guitar tones. As such, the bare-bone production combined with the relentless march of songs gives Stadium Arcadium the undeniable feel of wading through the demos for a promising project instead of a sprawling statement of purpose; there's not enough purpose here for it to be a statement. That fault is down to the band not forming the raw material into something palatable for the listener, but there's also the problem that as a lyricist Anthony Kiedis just isn't that deep or clever enough to provide cohesive themes for an album of this length; he tackles no new themes here, nor does he provide new insight to familiar topics. To his credit, he does display a greater versatility as a vocalist, cutting back on the hambone rapping that used to be his signature and crooning throughout the bulk of this album, usually on key. That said, he still has enough goofy tics to undercut his attempts at sincerity, and he tends to be a bit of a liability to the band as a whole; with a different singer, who could help shape and deliver these songs, this album might not seem as formless and gormless. But there is a fair amount of pleasures here, all down to the interplay between Flea and Frusciante. While drummer Chad Smith does prove himself quite versatile here, gracefully following the eccentric turns and meanderings of the bassist and guitarist, the string instruments are the reason to listen to Stadium Arcadium. That's always been the case to a certain extent with the Chili Peppers, but here it's especially true, as they push and pull, rave and rumble, lie back and rock out -- pretty much spit out anything they can do on their instruments over the course of 28 songs. As good as much of this is, there is a little bit of monotony here, since they're working variations on their signature themes, and they haven't found a way to make these variations either transcendent or new; they're just very good renditions on familiar themes. These tracks rarely betray their origins as studio jams -- more than ever, it's possible to hear that the track came first, then the song -- and while that can result in some good listening, it all does kind of drift together. That said, there are no bad tracks here -- it's all of a relatively high quality -- but there are no standouts either, so it takes a very dedicated fan to start sorting out the subtleties between the tracks (not the wheat from the chaff, since it's all wheat). And while those hardcore fans may certainly enjoy the make-your-own-adventure spirit of Stadium Arcadium, it's hard not to feel that it's the band's responsibility to take this very good repetitive album and mold it into something sharper and more effective. So call it the rock version of Peter Jackson's King Kong: there's something pretty great and lean buried beneath the excess, but it's so indulgent, it's a work that only a fanboy could truly love.
California based funk rockers Red Hot Chili Peppers are set to release their twelfth studio album "Unlimited Love" on April 1st, 2022. This is the first album since 2006's "Stadium Arcadium" to feature John Frusciante on guitar who re-joined the band in 2019. The band will be heading out on a world stadium tour later this year in support of the new album. 2b1af7f3a8